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Megan Fox (Click to see photos of the top ten in FHM's Sexiest Women in the World for 2008.) Ruelas/AP

Megan Fox (Click to see photos of the top ten in FHM’s Sexiest Women in the World for 2008.)

The blue-eyed beauty from “Transformers” has landed at the top of FHM’s sexy list.

Megan Fox, 21, beat out the likes of Scarlett Johansson and Angelina Jolie to get the No. 1 spot in FHM’s 100 Sexiest Women in the World for 2008.

“Megan is the deserving winner of this year’s FHM title,” said FHM Online U.S. Editor JR Futrell. “She’s young, she’s hot, she’s a rising star and her sex appeal has definitely transformed this year’s list. She’s got a great future ahead of her.”

Fox has slowly worked her way up the list in the last two years. She originally premiered on it in 2006 at No. 68. In 2007, she crawled up three spots to 65.

Her sudden leap to the top came largely because of her sexy turn in Michael Bay‘s robot-smashing “Transformers,” as the love interest to Shia LaBeouf. It was a far cry from her more wholesome role as the older daughter on the ABC family sitcom, “Hope & Faith,” starring Faith Ford and Kelly Ripa.

Joining Fox on the list’s top ten are Jessica Biel, Scarlett Johansson, Hilary Duff and “Battlestar Galactica” star Tricia Helfer. Last year’s topper, Jessica Alba, fell to No. 3 on the list.

Britney Spears came in at No. 100.

According to FHM, nearly 9 million votes were cast by readers in this, their 14th annual top 100. Other actresses considered “sexy” by voters were Lindsay Lohan (16), Cameron Diaz (18), Beyonce Knowles (20), Jennifer Aniston (42), Eva Longoria Parker (59), Fergie (60), Katie Holmes (65), and Paris Hilton (77).

For the full list, go to www.fhmonline.com/100sexiest.

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As mentioned previously, Britney Spears lost custody and visitation rights with her sons Sean Preson and Jayden James and now OK! magazine is reporting that friends fear her loneliness may cause her to have another child, but this time with her married paparazzo boyfriend Adnan Ghalib. A family member said:

“Britney hates when things are taken from her. The court’s taken Preston and Jayden away, so she’ll just have another kid to take their place. That’s the way she thinks.”

Britney was recently spotted wearing a new engagement ring and looking at pregnancy tests at Right Aid on Monday night!

The crazy girl and the married pap work pretty quickly eh? Scary! Someone lock her up already!

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Cover of Madonna's Hard Candy
Hard Candy is Madonna’s first studio album since 2005

On Madonna’s 11th album, Hard Candy, the queen of pop invites us to imagine her as a confectioner running a musical sweet shop.

But, after sitting through the 12 tracks on offer here, you’ll begin to wish she’d stocked more than two varieties of candy.

Those flavours come from two of America’s most bankable songwriting teams: The Neptunes and Timbaland, who between them have conjured up hits for the likes of Britney Spears, Jay-Z, Missy Elliot and Justin Timberlake.

Timberlake himself crops up on five of the tracks, posing a particularly pertinent question about who is running the show when he asks “Who is the master? Who is the slave?” as the album closes.

This sort of top flight production is an unusual step for Madonna, who has a reputation for seeking out relatively obscure dance producers like Mirwais, Shep Pettibone and Stuart Price to helm her albums.

This time round, however, the queen of reinvention is trying to win back the hearts of the US audience – who were largely unimpressed with her 2005 love letter to disco, Confessions On A Dancefloor.

The main themes are love, revenge, sex and music – subjects on which Madonna surely has little left to say

It all starts off well enough. Opening track Candy Shop is an agenda-setting call to arms, with Madonna promising a “special connection” and “plenty of heat”.

The minimal, skittering drums are punctured by colossal stabs of synth, while Madonna purrs weak sweet shop-related innuendos: “Don’t pretend you’re not hungry, there’s plenty to eat… I got Turkish Delights.”

You get the picture.

Things step up a gear with the Justin Timberlake collaboration 4 Minutes, which features the best use of cowbell in pop since Free’s All Right Now, but sounds so futuristic it could realistically have been beamed in from the end of the world.

‘Pop moments’

Lyrically, the album plays it safe. Madonna may have been inspired to make a documentary about the Aids epidemic in Africa when she adopted two-year-old Malawian orphan David Banda, but you would be hard pressed to find any social commentary in her music.

The main themes are love, revenge, sex and music – subjects on which Madonna surely has very little left to say at this stage in her career.

Madonna performing at Live Earth in 2007

Hard Candy featurs five collaborations with Justin Timberlake

She even repeats herself, echoing Into The Groove when she sings “Don’t you know, can’t you see? When I dance I feel free” on Heartbeat.

Then again, Madonna has always been at her best when extolling the virtues of music as a release, and it is on Hard Candy’s club-orientated tracks that she excels.

She’s Not Me, a Neptunes production, feels like a five-minute musical summary of her career to date.

It kicks off with Chic-esque guitars that are reminiscent of Holiday before morphing into a pulsing club groove that could have been lifted straight from her last album.

Track three, Give It To Me, is already pencilled in as the album’s second single. It is one of the record’s few out-and-out pop moments, featuring a cute, bouncy beat and a sense of humour that has been missing from Madonna’s music since her Dick Tracy days.

“If it’s against the law, arrest me, if you can handle it, undress me,” she chirps as the song builds to a blistering crescendo that will surely be the highlight of any future live set.

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A tiny sliver of transitional rain forest is surrounded by hectares of soybean fields in the Mato Grosso state, Brazil.

From his Cessna a mile above the southern Amazon, John Carter looks down on the destruction of the world’s greatest ecological jewel. He watches men converting rain forest into cattle pastures and soybean fields with bulldozers and chains. He sees fires wiping out such gigantic swaths of jungle that scientists now debate the “savannization” of the Amazon. Brazil just announced that deforestation is on track to double this year; Carter, a Texas cowboy with all the subtlety of a chainsaw, says it’s going to get worse fast. “It gives me goose bumps,” says Carter, who founded a nonprofit to promote sustainable ranching on the Amazon frontier. “It’s like witnessing a rape.”

The Amazon was the chic eco-cause of the 1990s, revered as an incomparable storehouse of biodiversity. It’s been overshadowed lately by global warming, but the Amazon rain forest happens also to be an incomparable storehouse of carbon, the very carbon that heats up the planet when it’s released into the atmosphere. Brazil now ranks fourth in the world in carbon emissions, and most of its emissions come from deforestation. Carter is not a man who gets easily spooked–he led a reconnaissance unit in Desert Storm, and I watched him grab a small anaconda with his bare hands in Brazil–but he can sound downright panicky about the future of the forest. “You can’t protect it. There’s too much money to be made tearing it down,” he says. “Out here on the frontier, you really see the market at work.”

This land rush is being accelerated by an unlikely source: biofuels. An explosion in demand for farm-grown fuels has raised global crop prices to record highs, which is spurring a dramatic expansion of Brazilian agriculture, which is invading the Amazon at an increasingly alarming rate.

Propelled by mounting anxieties over soaring oil costs and climate change, biofuels have become the vanguard of the green-tech revolution, the trendy way for politicians and corporations to show they’re serious about finding alternative sources of energy and in the process slowing global warming. The U.S. quintupled its production of ethanol–ethyl alcohol, a fuel distilled from plant matter–in the past decade, and Washington has just mandated another fivefold increase in renewable fuels over the next decade. Europe has similarly aggressive biofuel mandates and subsidies, and Brazil’s filling stations no longer even offer plain gasoline. Worldwide investment in biofuels rose from $5 billion in 1995 to $38 billion in 2005 and is expected to top $100 billion by 2010, thanks to investors like Richard Branson and George Soros, GE and BP, Ford and Shell, Cargill and the Carlyle Group. Renewable fuels has become one of those motherhood-and-apple-pie catchphrases, as unobjectionable as the troops or the middle class.

But several new studies show the biofuel boom is doing exactly the opposite of what its proponents intended: it’s dramatically accelerating global warming, imperiling the planet in the name of saving it. Corn ethanol, always environmentally suspect, turns out to be environmentally disastrous. Even cellulosic ethanol made from switchgrass, which has been promoted by eco-activists and eco-investors as well as by President Bush as the fuel of the future, looks less green than oil-derived gasoline.

Meanwhile, by diverting grain and oilseed crops from dinner plates to fuel tanks, biofuels are jacking up world food prices and endangering the hungry. The grain it takes to fill an SUV tank with ethanol could feed a person for a year. Harvests are being plucked to fuel our cars instead of ourselves. The U.N.’s World Food Program says it needs $500 million in additional funding and supplies, calling the rising costs for food nothing less than a global emergency. Soaring corn prices have sparked tortilla riots in Mexico City, and skyrocketing flour prices have destabilized Pakistan, which wasn’t exactly tranquil when flour was affordable.

Biofuels do slightly reduce dependence on imported oil, and the ethanol boom has created rural jobs while enriching some farmers and agribusinesses. But the basic problem with most biofuels is amazingly simple, given that researchers have ignored it until now: using land to grow fuel leads to the destruction of forests, wetlands and grasslands that store enormous amounts of carbon.

Backed by billions in investment capital, this alarming phenomenon is replicating itself around the world. Indonesia has bulldozed and burned so much wilderness to grow palm oil trees for biodiesel that its ranking among the world’s top carbon emitters has surged from 21st to third according to a report by Wetlands International. Malaysia is converting forests into palm oil farms so rapidly that it’s running out of uncultivated land. But most of the damage created by biofuels will be less direct and less obvious. In Brazil, for instance, only a tiny portion of the Amazon is being torn down to grow the sugarcane that fuels most Brazilian cars. More deforestation results from a chain reaction so vast it’s subtle: U.S. farmers are selling one-fifth of their corn to ethanol production, so U.S. soybean farmers are switching to corn, so Brazilian soybean farmers are expanding into cattle pastures, so Brazilian cattlemen are displaced to the Amazon. It’s the remorseless economics of commodities markets. “The price of soybeans goes up,” laments Sandro Menezes, a biologist with Conservation International in Brazil, “and the forest comes down.”